The Blackmagic URSA Broadcast G2 with B4 Mount Kit. The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera!
WHAT DOES IT INCLUDE
- Blackmagic Ursa Broadcast G2 Camera
- Shoulder pad with V-Lock entry
- Camera power supply EA11011D
- B4 Mount with B4 Hd Lens
- Blackmagic Ursa Studio ViewFinder G2
- Blackmagic Camera Fiber Converters
- Blackmagic Studio Fiber Converters
- Tripod
- SMPTE Cable Up to 100 meters
Blackmagic URSA Broadcast G2 Camera Features
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
Lens Mount
B4 2/3 inch installed
Active EF mount also included
Lens Control
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
Dynamic range
13 Stops
Dual Native ISO
0dB and 18dB gain.
Built in ND Filters
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses. Iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Screen
4 Inch LCD capacitive touchscreen.
Controls
Touchscreen menus on a 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Metadata Support
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Recording Formats
Capture 4K UHD in Blackmagic RAW or ProRes, HD in H.265/H.264
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60.
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.
Blackmagic URSA Studio Viewfinder G2 Features
Screen
7″ 2000 nits high brightness TFT LCD 1920 x 1200 resolution.
Video Sampling & Color Precision
4:2:2 YUV, 10-bit.
Color Space
REC 601, REC 709.
Multiple Rate support
SDI switches between 1.5 Gb/s HD and 3.0 Gb/s 60P HD
Tally
Large LED tally light with customizable perspex camera numbers.
Metadata Support
Detects camera information embedded in the SDI signal including status information, frame guides, focus peaking, tally, and more.
Screen Interface
On screen meters and status information including Camera ID, resolution, frames per second, shutter speed, gain, white balance, camera battery level, and more.
Blackmagic Camera Fiber Converters
The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera.
You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more.
The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder.
The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more!
Blackmagic Studio Fiber Converters
The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside the broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces.
It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down.
You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera.
This allows for easy patching and verification of the remote camera function!